
We go back to the beginning and read everything again.

1948–1950 · WMAQ, Chicago
Richard Durham wrote Black history as radio drama, weekly, on a network station
Richard Durham got a Sunday morning half hour on NBC's Chicago station and used it to write the history of Black America as drama — not as uplift, not as pageant, but as conflict, with anger left in. The Knock-Kneed Man, Railway to Freedom, The Denmark Vesey Story: the titles alone place it decades ahead of anything the networks were carrying. It lasted two years before the pressure told and the scripts were softened; Durham left. What survives is the most radical body of work in American network-affiliated radio, and it was made in a studio on Michigan Avenue by a man who later wrote Muhammad Ali's autobiography.
45 broadcasts · 4 years held · Chicago
45 surviving broadcasts of the WMAQ series written by Richard Durham. Recordings held by the Internet Archive.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

The episode listeners keep sending to people who never listen to podcasts.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

New tape, a reluctant witness, and a timeline that finally stops making sense.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.